BOSS, the music industry’s behemoth, makes two of the most well-known multi-effects pedals. The ME-80 and GT-100 are two outstanding multi-effects pedals that generate a broad variety of sound effects while also having excellent sound quality.
Getting two of them, however, would be superfluous because they essentially accomplish the same function. So, which one should you purchase? As DSP capabilities and powerful processors continue to transform the music business, multi-effects pedals are increasingly gaining favor.
Multi-effects pedals are no longer seen as a tool for the inexperienced, they are also a significant step up from simple guitar looper pedals. If you are interested in these models, keep reading our Boss ME 80 vs GT 100 review for more information below.
Winner of Boss ME 80 vs GT 100: Boss ME 80
The Boss ME-80 and Boss GT-100 are both strong devices that can elevate your guitar’s sound to the next level. Because they are both built by Boss, they have a high sturdy construction and many of the same characteristics.
They may, however, be used in a variety of ways. While it comes down to it, the most significant thing to consider when making this selection should be how you intend to utilize the pedal.
The ME-80 is excellent for theatrical presentations because it is portable and runs on AA batteries. This is more appropriate for traditional guitar players.
The GT-100, on the other hand, is ideal for studio work and recording sessions because it is stationary and comes with a power adaptor. The GT-100 is also great for audio pioneers, with hundreds of various options to experiment with.
Boss ME 80
Description: This latest Boss multi-effects unit, which made its debut at Winter NAMM 2014, is a more tactile machine than the menu-driven GT-100, with effects selection and parameter tweaks handled through a massive array of front-panel knobs.
Features: It is battery or adapter powered, and it has a series of well-constructed footswitches that may be used in two ways: switching a collection of individual effects pedals, or fast recall of complicated patches with many effects.
The patches are made up of up to eight simultaneous effects, including COSM amp simulators if desired. The actual selection of onboard effects is rather extensive, including all of the expected items as well as some novelties such as Boss’ Tera Echo, which integrates Multi-Dimensional Processing (MDP) technology.
The ME-80 also contains a tap tempo, tuner, a phrase-loop function with 38 seconds of recording time, and a built-in USB audio interface for recording to a DAW, with the option of recording a dry sound while listening to the ME-80’s effects and then re-amping it afterward.
The ME-80 isn’t difficult, but don’t let that deceive you: it’s packed with great sounds, and its remarkable array of rotational switches and knobs makes it simple to apply effects and alter parameters.
Some sounds, like the delays, combo, and tweed amp tones, are a joy to play and have an organic feel. Others, most notably the high-gain distortions, have a more computerized edge and lack the actual article’s touch and sensitivity. The device sounds best when used in conjunction with a tube amp with a neutral EQ setting. Cleaner sounds, on the other hand, are effective with a competent PA when you utilize the internal speaker simulator and a sweetening EQ that massages the highs and mids.
- Floor multi-effects that are small and strong, with a simple knob-based interface
- There are eight categories of simultaneous effects, each with several effect types
- Dial-up tones with the convenience of your favorite stompboxes
Boss GT 100
Description: The most recent is the GT-100, which replaces the four-year-old GT-10. BOSS is employing a new DSP (digital signal processing) engine this time around and has fully redesigned all of the COSM amps for the GT-100.
Features: The effects have been modified to provide improved real-time control options, such as the all-new ACCEL pedal, which can modify various effects settings in real-time.
The GT-100 is a multi-effects processor that comes with 400 patches, 200 of which are factory presets and the remainder may be used to save your own compositions. Patches are kept four to a bank and are built from a chain of effect blocks that may be arranged in any way.
Amplifier, a distortion pedal, preamplifier, EQ, FX1, and FX2 (both may host a number of effects types), delay, chorus, reverb, and expression pedal FX are among the blocks. For more versatility, link your external effects to the GT-100’s send and receive loop and provide the loop’s configuration as part of a patch.
Aside from the sound conception and control features, the GT-100 has a looper with 38 seconds of conventional single looping and can function as an audio system to your computer, allowing you to document dry or affected instruments from the GT-100 or send pre-recorded dry audio to it for ramping.
Rather than diving right in and altering specific settings, you may paint your sound with larger strokes. The EZ Tone tool allows you to select a basic musical style and customize it by dragging a pointer around a graphical grid.
The accompanying amp customize and OD/DS customize functions do the same purpose for amp type and overdrive/distortion type, respectively. Each block in the signal chain may be loaded with a range of different simulated sounds.
Setting up and saving your own patches/pedalboard setups before playing is definitely the way to go, and BOSS has handled that procedure really simple here. The surprising thing is that there are no traditional menus to navigate – everything is visible on the surface.
- Simple editing
- Manual mode replicating traditional pedalboards
- A diverse set of effects
- A graphical editor would be far superior
Boss ME 80 vs GT 100 Comparison
The Boss ME-80 and Boss GT-100 share many features and functionalities. Quality isn’t a relevant point of comparison because they’re both created by Boss. Instead, we’ll focus on the key contrasts between these models according to our Boss ME 80 vs GT 100 review.
Boss ME 80 vs GT 100 Impedance of Input
This is a measurement of how much resistance your guitar’s signal faces. That may appear to be a terrible thing, but it isn’t. Higher input impedance is preferable since it lowers the demand for the guitar signal. This can result in increased loudness and improved sound quality.
The ME-80 and GT-100 both feature a high input impedance for guitar, but the GT-100 doubles the input via AUX-In. This means that the sound will be better from the GT-100’s auxiliary port than from the ME-80’s according to our Boss ME 80 vs GT 100 review.
Boss ME 80 vs GT 100 Display
While each pedal includes a display, the backlit LCDs on the GT-100 are adaptable and of great quality. The segmented 2-digit LED screen of the ME-80 is quite antiquated and can only display minimal information. It is far less beneficial. Being able to see what you’re doing when applying effects to your guitar is crucial.
The backlit LCDs of the GT-100 triumph here. The ME-80’s segmented LED panel works, but it lacks the adaptability of the GT-100’s displays.
Boss ME 80 vs GT 100 Performance
The Boss ME-80 versus GT-100 are both outstanding, but distinct, BOSS multi-effects pedals. Whereas the ME-80 has always been a crisp and pretty obvious multi-effects pedal, the GT-100 is its fancier cousin with cutting-edge technology and a slew of capabilities.
The Boss ME-80 features a limited amount of programs, effects, and amp models that may be employed at the same time. For most traditional guitarists, these are more than adequate according to our Boss ME 80 vs GT 100 review.
They may, however, leave the next generation of guitarists, who seek novelty elsewhere, wanting more. The GT-100, despite its high price, goes above and beyond what is anticipated of a multi-effects pedal. Don’t be fooled by its unassuming appearance.
Boss ME 80 vs GT 100 Design
The ME-80 is intended for use on stage. If you require a multi-effects pedal for that, the ME-80 is an excellent choice. When you’re on stage, you don’t utilize a lot of multi-effects. You largely rely on a few effects that produce clear, precise sounds.
The ME-80 allows you to be creative during your performances while being basic, uncomplicated, and fairly priced. The Boss GT-100, on the other hand, is geared at music producers and studio recording.
Where you have plenty of time to experiment with melodies and add or alter sounds to your heart’s content. The GT-100 is a tad more expensive according to our Boss ME 80 vs GT 100 review.
Boss ME 80 vs GT 100 Power Source
How is power sent to the pedal? Both devices can be powered by an adapter, however, only the ME-80 may be powered by batteries.
This is one of the features that makes it excellent for performing and traveling since it makes the pedal highly portable. However, the ME-80 does not have a power adapter. If you wish to connect it in, you’ll need to get the cord separately.
Boss ME 80 vs GT 100 Current Flow
The ‘current draw’ is a measurement of how much power the pedal needs to function. Because the ME-80 can run on battery power and does not have as many effects as the GT-100, it consumes less power when in use. This is vital when deciding where to place the pedal and what sort of power cord to utilize with the device.
Boss ME 80 vs GT 100 Knobs
Knobs may be perplexing. When there are too many knobs to pick from, it might be tough to adjust settings on the fly, but it also typically implies that there are more possibilities. The ME-80 pedal includes 80 separate knobs for different settings and functions, however, they are organized in a perplexing fashion if you’re just getting started.
The GT-100, on the other hand, has 8 basic knobs that regulate a plethora of possible options. Again, the layout you choose is entirely subjective according to our Boss ME 80 vs GT 100 review.
Boss ME 80 vs GT 100: Who is it for?
The GT-100 multi-effect guitar pedal from Boss may help you take your studio music and recording sessions to the next level. This pedal is not intended for live use since it is not as portable as the ME-80.
Furthermore, conventional guitarists may not enjoy this model’s fresh and inventive approach to effects, since there are several possibilities, classic replication, and fully modern sound combinations according to our Boss ME 80 vs GT 100 review.
The Boss GT-100 is ideal for guitarists looking for something fresh and unusual. Because you can record MIDI directly, it’s ideal for internet music artists — you’ll get the sound file you need right away. This is the studio guitar pedal for you if you want to be able to create your sound distinctive in hundreds of various ways.
The Boss ME-80 will appeal to traditional players. When used correctly, it’s like having a collection of Boss pedals at your disposal, but without the hassle of chaining them together. It’s also ideal for theatrical performances, owing to its ability to run on batteries and its tiny size, which allows you to easily slip it onto the stage with you.
Conclusion: Boss ME 80 vs GT 100 [2022 Review]
Overall, both BOSS multi-effects pedals do an outstanding job of bringing sound effects to your guitar. The GT-100 is more expensive, but it has a plethora of capabilities and effects that are a music producer’s dream.
However, if you’re a performer and utilize your guitar on stage, the exorbitant price tag isn’t worth it. In such a situation, the ME-80 is an excellent pick. We hope you liked our Boss ME 80 vs GT 100 review and it was helpful.